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Saturday Night Fever: The Original Movie Sound Track is the soundtrack album from the 1977 film starring. In the United States, the album was certified 15× for shipments of at least 15 million units.

The album stayed atop the album charts for 24 straight weeks from January to July 1978 and stayed on 's album charts for 120 weeks until March 1980. In the UK, the album spent 18 consecutive weeks at No. The album epitomized the phenomenon on both sides of the Atlantic and was an international sensation. The album has been added to the in the for being culturally significant.

• • • • • • • • • • • • • • • • • • • Background [ ] Origins and recording [ ] According to the DVD commentary for Saturday Night Fever, the producers intended to use the song ' by in the rehearsal scene between Tony and Annette in the dance studio, and choreographed their dance moves to the song. However, representatives for Scaggs's label,, refused to grant legal clearance for it, as they wanted to pursue another disco movie project, which never materialized. Composer, who scored the film, had to in turn write a song to match the dance steps demonstrated in the scene and eliminate the need for future legal hassles. However, this track does not appear on the movie's soundtrack. The Bee Gees's involvement in the film did not begin until post-production. As asserted, 'The weren't even involved in the movie in the beginning.

I was dancing to and.' Producer Robert Stigwood commissioned the Bee Gees to create the songs for the film. Robin Gibb recalled: We were recording our new album in the north of France. And we'd written about and recorded about four or five songs for the new album when rang from and said, 'We're putting together this little film, low budget, called Tribal Rites of a Saturday Night. Would you have any songs on hand?' , and we said, 'Look, we can't, we haven't any time to sit down and write for a film'. We didn't know what it was about.

— Robin Gibb The brothers wrote the songs 'virtually in a single weekend' at in France. The first song they recorded was ', but their version was not used on the film. Barry Gibb remembered the reaction when Stigwood and music supervisor Bill Oakes arrived and listened to the demos: They flipped out and said these will be great. We still had no concept of the movie, except some kind of rough script that they'd brought with them.