Avant Garde Black Font Birthday

Tilda Swinton, who celebrates her 57th birthday today, is as famed for her experimental, elegance-with-edge style as ever. The actress tends to lean on Haider Ackermann and Chanel for her red carpet dressing, favouring tuxedos and gowns with architectural shapes or unexpected embellishments.

For her most recent red carpet appearence at a BFI Fundraising Gala, Swinton opted for a Grecian- style creation by Schiaparelli. Over the years, she has become a paragon of avant-garde style, always pairing her elegant fashion choices with her distinctive blonde cropped hair. Click through the gallery to see her most fabulous looks over the years.

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Avant Garde Black Font Birthday

I’ve always been drawn to books with odd arrangements of words. Perhaps it’s because I came to literature as what I believed to be an outsider. I was in college, 19 and over my head at an Ivy League school, on the verge of dropping out of my pre-med track.

I took art classes until my parents refused to pay for them anymore—low promise of return on their investment, they said. Fiction offered a creative outlet with a sheen of respectability. But nevertheless, I was daunted by the classics—having eschewed them in high school for cadvanced biology classes—and their endless pages filled with blocks of small text. I was drawn to numbers, equations, pictures.

Audiorealism Drum Machine Crackle. The same was true of many of my non-white peers in college—most of us came from public schools and two-income households. Even if our parents were educated (as mine were) we were far more likely than our white counterparts to be “raised by television,” or be pushed into money-making careers. We were shaped by hip-hop and A Different World as much as Dickens and Dickinson. When I cracked a spine and saw unusual arrangements of lines, varied fonts, and—joy of joys, pictures!—I grew excited. My interests in hybrid literature, culture and race meant that I was always instinctively searching for a Black avant garde, and while I found many authors, there was never a single banner that united all these writers in the same way that “avant garde” encompassed an entire history of innovative writing by white people.